Series - FotoSlovo 2026 - Category « Conceptual photography »

Exploring the profound connection between the human form and nature, these diptychs draw attention to the striking similarities between our bodies and trees. In doing so, they raise awareness of environmental damage whilst simultaneously promoting body acceptance. The images engage with themes of identity and belonging, capturing a range of emotions including playfulness, pain, sarcasm and rage.

Central to the creative process is anthropomorphism: the psychological tendency to attribute human characteristics to inanimate objects or nature. This instinct, whether conscious or unconscious, emerges from a desire to ease loneliness and impose meaning to the world around us. It invites empathy and connection. Through this lens, the diptychs invite viewers to engage emotionally and consider deeper interpretations.

A pivotal shift in the development of this series was the move away from literal depictions representation toward abstraction. Close-up details of torn bark encourage personal interpretation and discovery. The manipulation of tone emphasises shape and texture, reinforcing the visual parallels between human and tree forms.

Ultimately, the work challenges the notion of separation, suggesting instead that it is an illusion. These images speak to a profound interconnectedness between humans and the natural world.